Super 16. PL Mount.
1-75 FPS (speed can be ramped will running).
Variable shutter (45, 90, 135, 144, 150, 172.8, 180 degrees).
8x eyepiece w/ 1.85 fiber optic screen + RGB Arriglow.
Arri IVS (Integrated Video Assist) w/ onboard monitor.
Built like a tank. Silent as a mouse.
We believe that FILM – real film - has the power to bring your story to the next level, so we offer rock bottom rental rates on the best Super 16mm camera ever made, the ARRI 416 PLUS. We can also help you source a deal on lenses. Shipping available.
Dreams can come true.
A few collected ideas about our company, the ARRI 416 Plus, and film.Why Shooting on Film is Like Writing a Handwritten Letter
“It really was the intangibles that tipped it for me: an organic surface where the image and story both nest.” - Jeff Preiss (director, 'Lowdown')IFP: The not so obvious benefits of shooting on film
"Film reintroduces a trust that is a really great environment to work in." - Brett Jutkiewicz (cinematographer, 'Daddy Longlegs')Major film studios sign deal to keep Kodak rolling on
"It’s not just an idea that would be nice to keep going – it’s an aesthetically and materially important thing." - JJ Abrams (director Star Wars: Episode VII - The Force AwakensShooting with 416 Plus on Todd Haynes' 2015 feature, 'Carol'
"The three layers of emulsion play a large role in the combining of the colors and how they turn out, the way the lights blend at different temperatures…And the picture character, the grain that changes position in each frame… How the film is threaded through the camera… All of this gives a feeling that in my opinion just can’t be digitally reproduced." - Ed Lachman, ASC
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